Koyomi Shizuka (閑 古詠 Shizuka Koyomi) is one of the Three Saints, the leaders of the Lion King Organization, who sent Yukina on a mission to be the observer of the fourth primogenitor, Kojou. She appears as a senior high-school student of Saikai Academy who always observes Kojou and Yukina.
Appearance[]
Koyomi has long black hair tied into twin braids and blue eyes. She wears glasses and the Saikai Academy high-school uniform and carries a book.
When she is working she wears a thin veil like silk so people could see her face she wearing a luxurious priestess outfit adorned with countless gemstoness.
Her hair was in an unadorned triple braid and she wore painfully plain glasses. Her face was average, to the point where Yukina would forget it the instant she averted her eyes, yet the spiritual essence enveloping the girl’s entire body was vivid and ferocious.[2]
She was a young woman who hid her face behind a thin silk fabric that resembled a veil. She was wearing a priestess outfit luxuriously decorated with gemstones and gold leaf.[3]
She wore a dazzling priestess outfit decorated with gold leaf and gemstones. Her attire was not particularly suited to the field of battle, but the dignified atmosphere it established around her suited her mysteriously well.[4]
Personality[]
Koyomi is a calm and composed girl, although in battle she emits an overwhelming aura of pressure on her opponents.
Plot[]
Right Arm of the Saint[]
Emissary of the Warlord[]
Banquet of the Observers[]
The Fugitive Fourth Primogenitor[]
Koyomi Shizuka had sealed Kojou’s right hand with a barrier ritual. Realizing that she couldn’t stop Kojou from leaving Itogami Island, she’d taken out an insurance policy. She’d secretly planted a trump card into Kojou that could save him from annihilation should he encounter an enemy that could manipulate the encroachment of Nod—without Kojou ever suspecting. Kiriha Kisaki had identified what had been carved into his right hand as a sealing ritual. However, seals were not limited to ensuring your opponent could not escape. Depending on the circumstance, seals were employed to protect what was on the inside. It was the latter which Koyomi Shizuka had carved into Kojou. The wound in Kojou’s right hand hadn’t hurt when he’d summoned his Beast Vassals. Without exception, Kojou’s wound throbbed right after someone had used a sorcerous device of the Sinful God. That wound had reacted to the encroachment of Nod. Thanks to Paper Noise’s spell, Kojou escaped instant annihilation, but that didn’t mean he’d returned to his own world. The Divine Oscillation Effect barrier wouldn’t last forever, either. Unless he could find a way to slip out from Nod, annihilation really was only a matter of time.
The Roses of Tartarus[]
Shizuka, wearing a Saikai Academy uniform, was standing in front of the apartment building’s steps, staring at Yaze’s apartment with a neutral expression. In front of her chest, the girl was hugging a basket filled with fruits. It was the sort of extravagant fruit basket one took when visiting someone who was sick. Asagi tried addressing the bespectacled girl from behind. She imagined Shizuka was in a bind from not actually knowing where Yaze’s room was. However, when she looked at Asagi, her eyes seem to waver in fear; she broke into a run as she tried to make her escape. That made Asagi the nervous one. Shizuka looked at Asagi with an extremely worried look. She had the face of a fainthearted heroine in a romance manga, particularly in a scene where she’d just stumbled upon her boyfriend flirting with another girl. Eventually, Shizuka held out the fruit basket she was clutching to her breast in front of Asagi. Acting on reflex, Asagi took it without a thought.
While Asagi was distracted by the fruit, Shizuka broke off into a run once more. The scene was over in a second; there was no time to stop her. All Asagi could do was stand in a daze as she watched the girl go, receding in the distance.
Abilities[]
Koyomi Shizuka, aka Paper Noise. She was one of the Three Saints at the head of the Lion King Agency, said to be feared even by the vampire primogenitors.[3]
Her unique ability, also known as her nickname as one of the Three Saints, is called Paper Noise. It allows her to attack anyone at any point in time. She is not manipulating time to make it slower or faster; rather, she creates time that should not exist, making her a formidable foe. Additionally, she has the ability to read the minds of her opponents to a certain degree. When combined with her Paper Noise ability, this makes her one of the strongest individuals in the world.
Despite having the powerful ability to manipulate time, Koyomi’s flesh and blood was that of the frail girl she seemed. In terms of raw strength, she couldn’t possibly trade blows with a demon.[4]
Her movements resembled Yukina’s, but the degree of polish was off the charts. Even without her Paper Noise ability, Kojou could tell she truly was a supreme Attack Mage.[2]
Spiritual Energy: She, possessor of an extreme level of spiritual energy, could wield Snowdrift Wolf just like Yukina. Once, she’d actually wielded Snowdrift Wolf to crush Kojou Akatsuki.[2]
Paper Noise: Her ability that guaranteed her to attack first. Inserting time that ought not to have existed along with that silence, the effect of her attack suddenly appeared, as if a page in a book had been ripped out and discarded.[4]
Quotes[]
- (To Kojou)“No, I am quite gravely injured. However, I healed myself with willpower. One of the Three Saints of the Lion King Agency cannot remain off duty indefinitely.”[2]
Etymology[]
- The name Koyomi means "ancient, old" (古) (ko) and "poem" (詠) (yomi).
- Koyomi's surname Shizuka means "quiet, leisure, spare time" (閑).
Trivia[]
- Koyomi's real name is Koyomi Hiina (緋稲 古詠 read as ひいな こよみ) as Koyomi Shizuka is the title that she has as one of the Three Saints of the Lion King Organization.
- Koyomi has a boyfriend named Motoki Yaze who is one of Kojou Akatsuki's closest friends.
- On New Year’s day one could not walk outside in an outfit like that without turning hands.
- She has a high school girl’s handwriting… The phrasing, too.[5]
References[]
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